1 00:00:00,000 --> 00:00:01,360 [ALARM] 2 00:00:01,360 --> 00:00:02,460 MAN (ON SPEAKER): We've been hit. 3 00:00:02,460 --> 00:00:05,640 Two canisters-- uranium-235, dawn. 4 00:00:05,640 --> 00:00:08,130 The bomb is of the utmost importance. 5 00:00:08,130 --> 00:00:11,530 Nothing must stop its delivery. 6 00:00:11,530 --> 00:00:14,420 [MUSIC PLAYING] 7 00:00:16,350 --> 00:00:18,180 I've seen people electrocuted before. 8 00:00:18,180 --> 00:00:19,410 He didn't strike me as any different 9 00:00:19,410 --> 00:00:21,110 than any other human being. - Wait a minute. 10 00:00:21,110 --> 00:00:21,810 Human? 11 00:00:21,810 --> 00:00:22,920 Of course he was human. 12 00:00:22,920 --> 00:00:24,680 What was he supposed to be? 13 00:00:24,680 --> 00:00:26,540 Stop! 14 00:00:26,540 --> 00:00:29,340 [CRASHING] 15 00:00:29,340 --> 00:00:32,000 We have to find out which member of your group is a robot 16 00:00:32,000 --> 00:00:34,540 and where he's hiding a nuclear bomb. 17 00:00:34,540 --> 00:00:36,500 [TICKING] 18 00:00:36,500 --> 00:00:38,460 What do you think you're doing? 19 00:00:38,460 --> 00:00:40,620 He knows exactly what he's doing. 20 00:00:40,620 --> 00:00:43,580 He's the bomb. 21 00:00:43,580 --> 00:00:45,020 Pam! 22 00:00:45,020 --> 00:00:45,990 Pam. 23 00:00:45,990 --> 00:00:46,960 Pam! 24 00:00:46,960 --> 00:00:48,410 What happened? 25 00:00:48,410 --> 00:00:49,850 I'm OK. 26 00:00:49,850 --> 00:00:51,440 The bomb is built into him. 27 00:00:56,280 --> 00:00:59,180 [WIND ROARING] 28 00:01:00,150 --> 00:01:03,060 [THEME MUSIC] 29 00:01:05,489 --> 00:01:07,530 NARRATOR: It began with "Westworld." 30 00:01:07,530 --> 00:01:09,610 MAN (ON SPEAKER): Three, two, one. 31 00:01:09,610 --> 00:01:12,970 Activate now. 32 00:01:12,970 --> 00:01:15,500 NARRATOR: A futuristic playground 33 00:01:15,500 --> 00:01:17,810 where people could act out their fantasies 34 00:01:17,810 --> 00:01:21,620 with robots so sophisticated it was impossible to tell them 35 00:01:21,620 --> 00:01:23,250 from humans. 36 00:01:23,250 --> 00:01:25,620 Your move. 37 00:01:25,620 --> 00:01:26,600 [GUNSHOT] 38 00:01:26,600 --> 00:01:29,120 NARRATOR: Suddenly, the robots changed, 39 00:01:29,120 --> 00:01:31,860 turned into the deadly servants of their creator, 40 00:01:31,860 --> 00:01:35,300 Simon Quaid, who took them "Beyond Westworld." 41 00:01:35,300 --> 00:01:36,830 SIMON QUAID: I have an impregnable army of 42 00:01:36,830 --> 00:01:38,990 loyal and unquestioning troops. 43 00:01:38,990 --> 00:01:41,100 I've placed robots all over the world. 44 00:01:41,100 --> 00:01:42,440 He wants it all. 45 00:01:42,440 --> 00:01:44,330 He has one heck of a good chance at getting it 46 00:01:44,330 --> 00:01:45,590 with those robots. 47 00:01:45,590 --> 00:01:48,979 NARRATOR: Delos, builders of Westworld, must stop Quaid. 48 00:01:48,979 --> 00:01:52,160 Assigned is security chief John Moore 49 00:01:52,160 --> 00:01:54,229 and Special Agent Pam Williams. 50 00:01:54,229 --> 00:01:54,979 Let's face it, John. 51 00:01:54,979 --> 00:01:56,620 It's your wits against Quaid's machines. 52 00:02:14,080 --> 00:02:16,579 [MUSIC PLAYING] 53 00:02:16,579 --> 00:02:21,070 (SINGING) You're [INAUDIBLE] 54 00:02:24,060 --> 00:02:27,079 But you're back in [INAUDIBLE] just the same. 55 00:02:27,079 --> 00:02:29,079 Put your hand on my head. 56 00:02:29,079 --> 00:02:33,460 Call my name over and over, over and over [INAUDIBLE].. 57 00:02:33,460 --> 00:02:34,890 Over and over. 58 00:02:34,890 --> 00:02:37,270 [INAUDIBLE] and you belong here. 59 00:02:46,410 --> 00:02:51,740 [INAUDIBLE] but you're [INAUDIBLE] before [INAUDIBLE] 60 00:02:51,740 --> 00:02:53,240 you can [INAUDIBLE]. 61 00:02:53,240 --> 00:02:56,710 But you're back in my arms, just the same. 62 00:02:56,710 --> 00:02:58,590 Go and give me all your charms. 63 00:02:58,590 --> 00:03:00,930 Call my name over and over. 64 00:03:00,930 --> 00:03:04,290 Over and over [INAUDIBLE] over and over. 65 00:03:04,290 --> 00:03:06,730 Over and over [INAUDIBLE] here. 66 00:03:16,000 --> 00:03:22,890 Cause when you say my name, I feel like a loving woman. 67 00:03:22,890 --> 00:03:25,890 I feel like I've been touched. 68 00:03:25,890 --> 00:03:27,810 I've been played before. 69 00:03:27,810 --> 00:03:31,490 But I've never been played so much. 70 00:03:31,490 --> 00:03:35,690 [INAUDIBLE] over and over [INAUDIBLE] over and over 71 00:03:35,690 --> 00:03:36,670 [INAUDIBLE] here. 72 00:03:52,540 --> 00:03:57,300 You're gone, but I can feel you from far away. 73 00:03:57,300 --> 00:03:59,200 I can [INAUDIBLE] you. 74 00:03:59,200 --> 00:04:02,110 Put your back in it, babe, [INAUDIBLE],, 75 00:04:02,110 --> 00:04:04,080 throw your glasses on the chair. 76 00:04:04,080 --> 00:04:08,520 Call my name over and over, over and over in my ear. 77 00:04:08,520 --> 00:04:11,480 Once again, over and over all year. 78 00:04:11,480 --> 00:04:14,430 [ALARM] 79 00:04:14,430 --> 00:04:16,410 MAN (ON SPEAKER): First-stage alert. 80 00:04:16,410 --> 00:04:18,380 First-stage alert. 81 00:04:18,380 --> 00:04:19,860 We've been hit. 82 00:04:19,860 --> 00:04:21,829 Uranium-235. 83 00:04:21,829 --> 00:04:24,290 Two canisters, gone. 84 00:04:24,290 --> 00:04:25,280 Seal the plant. 85 00:04:29,720 --> 00:04:33,070 MAN: All of us are here for only one purpose. 86 00:04:33,070 --> 00:04:38,150 And that is we must stop nuclear power plants. 87 00:04:38,150 --> 00:04:40,840 And I want to thank Power and Ruben 88 00:04:40,840 --> 00:04:43,680 for bringing their fantastic musical for us here. 89 00:04:45,860 --> 00:04:47,430 JOSEPH OPPENHEIMER: This was obviously the mode 90 00:04:47,430 --> 00:04:48,820 of entry into the plant. 91 00:04:48,820 --> 00:04:50,970 JOHN MOORE: And the rock group's bus was parked right 92 00:04:50,970 --> 00:04:52,140 there, the perfect screen. 93 00:04:52,140 --> 00:04:53,670 JOSEPH OPPENHEIMER: We checked their schedule. 94 00:04:53,670 --> 00:04:54,659 They were on a tour. 95 00:04:54,659 --> 00:04:56,400 And they stopped at the demonstration on their way 96 00:04:56,400 --> 00:04:58,620 to the next engagement at the Sagittarian Theater. 97 00:04:58,620 --> 00:04:59,970 PAMELA WILLIAMS: One of Quaid's robots. 98 00:04:59,970 --> 00:05:01,050 Had to be. 99 00:05:01,050 --> 00:05:03,830 Who else could have infiltrated tight security, overcome 100 00:05:03,830 --> 00:05:06,270 the armed guards, carried off two lead bottles of uranium 101 00:05:06,270 --> 00:05:09,990 that way about 400 pounds, not to mention the fatal radiation, 102 00:05:09,990 --> 00:05:11,450 had it been a human being? 103 00:05:11,450 --> 00:05:13,050 How much time do you think we have before they 104 00:05:13,050 --> 00:05:14,070 can build it into a bomb? 105 00:05:14,070 --> 00:05:16,300 It's hard to say. 106 00:05:16,300 --> 00:05:18,900 Here's two charges of uranium-235, one on the top, 107 00:05:18,900 --> 00:05:20,430 one on the bottom. 108 00:05:20,430 --> 00:05:22,100 When these two charges are brought together 109 00:05:22,100 --> 00:05:25,410 by this triggering device, boom. 110 00:05:25,410 --> 00:05:27,870 Then Quaid's in business. Why? 111 00:05:27,870 --> 00:05:29,370 According to government intelligence, 112 00:05:29,370 --> 00:05:32,420 Quaid has been having meetings with Hakim Fader. 113 00:05:32,420 --> 00:05:35,640 The North African general who wants to be president. 114 00:05:35,640 --> 00:05:38,060 And with a little help from an atomic bomb, 115 00:05:38,060 --> 00:05:39,820 he just might be able to do it. 116 00:05:39,820 --> 00:05:41,810 OK, but what does Quaid get out of the deal? 117 00:05:41,810 --> 00:05:44,050 Safe haven once Fader's taken over the country, 118 00:05:44,050 --> 00:05:45,920 where he'd be out of reach of legal authorities. 119 00:05:45,920 --> 00:05:48,050 Well if we know that the group is involved in the theft, 120 00:05:48,050 --> 00:05:50,000 why don't we just have them picked up and brought in? 121 00:05:50,000 --> 00:05:53,150 We can't risk tipping them off and either losing the bomb 122 00:05:53,150 --> 00:05:55,880 or having the robot explode it to avoid capture. 123 00:05:55,880 --> 00:05:58,390 Then there's a possibility that the bomb is still there. 124 00:05:58,390 --> 00:05:59,159 Well, we're not sure. 125 00:05:59,159 --> 00:06:00,530 But we got to start somewhere. 126 00:06:00,530 --> 00:06:02,070 We can infiltrate the group. 127 00:06:02,070 --> 00:06:03,590 We can find him before he finds us. 128 00:06:03,590 --> 00:06:04,290 [MUSIC PLAYING] 129 00:06:04,290 --> 00:06:11,960 (SINGING) I don't know how to take love without abusing. 130 00:06:11,960 --> 00:06:19,340 I don't know how to give respect without losing it. 131 00:06:19,340 --> 00:06:28,200 I don't know how to take the the fall without using it. 132 00:06:28,200 --> 00:06:32,130 Sometimes I think I'm driven-- 133 00:06:32,130 --> 00:06:39,570 driven like a piece of snow, driven like a piston, 134 00:06:39,570 --> 00:06:43,060 driven out of control. 135 00:06:43,060 --> 00:06:47,550 Like a loved one that's missing, I'm driven. 136 00:06:53,540 --> 00:07:01,530 I don't know how to break a bond without bruising it. 137 00:07:01,530 --> 00:07:02,550 I don't know-- 138 00:07:02,550 --> 00:07:03,480 It's weird. 139 00:07:03,480 --> 00:07:04,400 What? 140 00:07:04,400 --> 00:07:05,990 Standing here listening to rock music, 141 00:07:05,990 --> 00:07:09,650 knowing half the state could blow up in one big mushroom. 142 00:07:09,650 --> 00:07:12,850 Now put that possibility right out of your mind. 143 00:07:12,850 --> 00:07:14,930 You really think it's that easy to do? 144 00:07:14,930 --> 00:07:15,770 No. 145 00:07:15,770 --> 00:07:17,130 It sounds good. 146 00:07:17,130 --> 00:07:19,630 Pam, I'm going to go try and find that uranium 147 00:07:19,630 --> 00:07:21,660 while everybody's busy. 148 00:07:21,660 --> 00:07:25,060 RUTH AVERY: (SINGING) Driven like a piece of sand. 149 00:07:29,440 --> 00:07:49,720 Driven by a stranger's hands, like a lightning bolt. 150 00:07:49,720 --> 00:07:56,180 --and blink into the early light. 151 00:07:56,180 --> 00:08:00,160 I'm young enough to think, to think. 152 00:08:13,580 --> 00:08:16,560 [TICKING] 153 00:08:26,990 --> 00:08:29,980 [LOUDER AND FASTER TICKING] 154 00:08:34,450 --> 00:08:38,419 Driven like a piece of snow. 155 00:08:38,419 --> 00:08:41,900 Driven like a piston. 156 00:08:41,900 --> 00:08:44,890 Driven out of control. 157 00:08:44,890 --> 00:08:49,860 Like a loved one that I'm missing, I'm driven. 158 00:08:55,450 --> 00:08:57,770 Are you Moore or Williams? 159 00:08:57,770 --> 00:08:58,600 Williams. 160 00:08:58,600 --> 00:08:59,300 Phone. 161 00:09:06,830 --> 00:09:08,600 PAMELA WILLIAMS (ON PHONE): John's checking their bus 162 00:09:08,600 --> 00:09:10,140 for the uranium canisters now. 163 00:09:10,140 --> 00:09:12,210 Look, I feel terrible behind here with you two 164 00:09:12,210 --> 00:09:14,880 sitting there right on top of that stuff. 165 00:09:14,880 --> 00:09:16,060 What's happening at your end? 166 00:09:16,060 --> 00:09:17,730 Well, I got some pressure from the Thugger boys. 167 00:09:17,730 --> 00:09:19,740 They're getting antsy, plugging up the airports 168 00:09:19,740 --> 00:09:21,870 and twiddling their thumbs, waiting 169 00:09:21,870 --> 00:09:23,520 for Quaid to make his move. 170 00:09:23,520 --> 00:09:25,020 They want to move in right now. 171 00:09:25,020 --> 00:09:27,420 If they did, they could blow the whole thing. 172 00:09:27,420 --> 00:09:28,870 No pun intended. 173 00:09:28,870 --> 00:09:30,840 JOSEPH OPPENHEIMER (ON PHONE): Well don't worry about that. 174 00:09:30,840 --> 00:09:32,370 I'll keep them at bay. 175 00:09:32,370 --> 00:09:33,790 I hope we're on the right track. 176 00:09:33,790 --> 00:09:35,790 Well I'm afraid you don't have to worry about that either. 177 00:09:35,790 --> 00:09:37,500 Now, while you were en route, the triangulation 178 00:09:37,500 --> 00:09:39,600 came together at the concert. 179 00:09:39,600 --> 00:09:42,060 And Quaid was transmitting to his robot. 180 00:09:42,060 --> 00:09:44,250 Opp, there are over 1,000 people here now. 181 00:09:44,250 --> 00:09:44,890 JOSEPH OPPENHEIMER (ON PHONE): Yeah, I think we 182 00:09:44,890 --> 00:09:45,910 were right in the first place. 183 00:09:45,910 --> 00:09:47,130 Let's concentrate on the group. 184 00:09:53,090 --> 00:09:56,080 (SINGING) Driven! 185 00:09:56,080 --> 00:09:59,060 [CHEERING] 186 00:10:02,040 --> 00:10:05,020 [MUSIC PLAYING] 187 00:10:07,010 --> 00:10:09,500 --rather lonely. 188 00:10:09,500 --> 00:10:16,450 [INAUDIBLE] trust my mother [INAUDIBLE] 189 00:10:17,450 --> 00:10:21,420 I'll be sitting in the car. 190 00:10:21,420 --> 00:10:24,410 [INAUDIBLE] 191 00:10:32,500 --> 00:10:38,300 My brother's got his arm around his head, hungry to be 192 00:10:38,300 --> 00:10:40,790 [INAUDIBLE]. 193 00:10:40,790 --> 00:10:45,290 I love [INAUDIBLE] 194 00:10:47,780 --> 00:10:54,270 I'm on on the road [INAUDIBLE] forget to forget, to forget. 195 00:11:31,190 --> 00:11:34,190 [BUZZING] 196 00:12:26,180 --> 00:12:30,610 How'd we ever get this way [INAUDIBLE] 197 00:12:30,610 --> 00:12:37,440 stranded by the [INAUDIBLE] his mother was mistreated. 198 00:12:37,440 --> 00:12:42,770 A lot of cures to try [INAUDIBLE] His momma, 199 00:12:42,770 --> 00:12:44,760 she's got in trouble. 200 00:13:11,650 --> 00:13:19,230 [INAUDIBLE] to forget, to forget, to forget. 201 00:13:19,230 --> 00:13:23,160 He's [INAUDIBLE] to forget. 202 00:13:23,160 --> 00:13:26,740 But [INAUDIBLE] yet. 203 00:13:26,740 --> 00:13:31,210 Right before we get [INAUDIBLE] 204 00:13:34,680 --> 00:13:36,660 Cross my heart. 205 00:13:36,660 --> 00:13:38,650 Take me to heaven. 206 00:13:38,650 --> 00:13:41,620 Get me out of heaven for the [INAUDIBLE] love. 207 00:13:44,600 --> 00:13:45,380 Any luck? 208 00:13:45,380 --> 00:13:46,430 Yes and no. 209 00:13:46,430 --> 00:13:47,510 I found the canisters. 210 00:13:47,510 --> 00:13:48,800 They were empty. 211 00:13:48,800 --> 00:13:49,920 There's no uranium. 212 00:13:49,920 --> 00:13:50,910 It's gone. 213 00:13:50,910 --> 00:13:52,730 How about you? - Opp called. 214 00:13:52,730 --> 00:13:54,650 There was a triangulation. 215 00:13:54,650 --> 00:13:57,260 One of them is our man, I think. 216 00:14:26,960 --> 00:14:30,430 RUTH AVERY: (SINGING) [INAUDIBLE] 217 00:14:30,430 --> 00:14:35,380 on a river of no return. 218 00:14:42,420 --> 00:14:43,500 The beauty. 219 00:14:53,890 --> 00:14:58,300 The [INAUDIBLE] 220 00:15:02,500 --> 00:15:05,260 [CHEERING] 221 00:15:14,300 --> 00:15:15,740 I want to take that number out of the show. 222 00:15:15,740 --> 00:15:16,820 Why? They love it. 223 00:15:16,820 --> 00:15:17,590 I hate it. 224 00:15:17,590 --> 00:15:20,210 Look, if something's bugging you, don't lay the trip on me. 225 00:15:20,210 --> 00:15:21,760 - Something is bugging me, OK? - What? 226 00:15:21,760 --> 00:15:22,460 My new toy? 227 00:15:22,460 --> 00:15:23,890 Yeah, your new toy. 228 00:15:23,890 --> 00:15:25,520 Power, do you have any idea how many people 229 00:15:25,520 --> 00:15:26,690 get killed racing stock cars? 230 00:15:26,690 --> 00:15:27,580 POWER: Come on. 231 00:15:27,580 --> 00:15:28,280 You know me. 232 00:15:28,280 --> 00:15:30,270 I try something a couple of times, I get bored, I quit. 233 00:15:30,270 --> 00:15:31,620 Not this time. 234 00:15:31,620 --> 00:15:32,570 I quit. 235 00:15:32,570 --> 00:15:34,760 You can go out and kill yourself if you want to. 236 00:15:34,760 --> 00:15:37,010 But I'd rather be a divorced lady than a widowed lady. 237 00:15:37,010 --> 00:15:39,920 What happened to the lady who used to go along with anything? 238 00:15:39,920 --> 00:15:41,720 She grew up. 239 00:15:41,720 --> 00:15:44,300 I mean, how many times do we have to go out skydiving, 240 00:15:44,300 --> 00:15:46,850 tobogganing, racing speedboats? 241 00:15:46,850 --> 00:15:48,080 How many kicks do we have to get? 242 00:15:48,080 --> 00:15:49,430 What do we have to prove? 243 00:15:49,430 --> 00:15:50,170 How much money? 244 00:15:50,170 --> 00:15:51,150 How much success? 245 00:15:51,150 --> 00:15:53,510 You're forgetting how hard we fought to get where we are? 246 00:15:53,510 --> 00:15:54,560 Well, where are we, huh? 247 00:15:54,560 --> 00:15:55,860 We're at the top of the heap. 248 00:15:55,860 --> 00:15:56,970 Heap of what? 249 00:15:56,970 --> 00:16:00,060 If you're not out trying to kill yourself, what are we doing? 250 00:16:00,060 --> 00:16:02,780 We're out doing one nighters, recording in a studio, 251 00:16:02,780 --> 00:16:04,160 doing interviews. 252 00:16:04,160 --> 00:16:05,960 We don't have any time together anymore. 253 00:16:05,960 --> 00:16:07,740 What kind of life is it, huh? 254 00:16:07,740 --> 00:16:08,800 [CAMERA CLICK] 255 00:16:08,800 --> 00:16:10,020 Who are you? 256 00:16:10,020 --> 00:16:10,750 What are you doing? 257 00:16:10,750 --> 00:16:11,750 JOHN MOORE: Name's John Moore. 258 00:16:11,750 --> 00:16:13,190 Your manager sent me down here to take 259 00:16:13,190 --> 00:16:14,200 over your public relations. 260 00:16:14,200 --> 00:16:15,120 Oh he did, did he? 261 00:16:15,120 --> 00:16:15,820 Yes, ma'am. 262 00:16:15,820 --> 00:16:17,780 I'm supposed to slow the train down just enough 263 00:16:17,780 --> 00:16:19,510 to get everybody back onto track, kind 264 00:16:19,510 --> 00:16:21,860 of turn the image around so we all look like one 265 00:16:21,860 --> 00:16:23,360 big, happy family. 266 00:16:23,360 --> 00:16:25,430 One big, happy family, huh? 267 00:16:25,430 --> 00:16:27,020 Well I wish you a lot of luck. 268 00:16:27,020 --> 00:16:28,290 I'll go get some shots of the group. 269 00:16:28,290 --> 00:16:30,670 That's good. 270 00:16:30,670 --> 00:16:34,820 Well now, that little lady has a big talent, short fuse. 271 00:16:34,820 --> 00:16:36,540 She just needs to be handled right. 272 00:16:36,540 --> 00:16:37,970 Now Mr. Power, you're in luck. 273 00:16:37,970 --> 00:16:39,320 That's my specialty. 274 00:16:39,320 --> 00:16:41,220 Soft music and kid gloves. 275 00:16:41,220 --> 00:16:43,950 Yeah well, I handle the music around here, loud or soft. 276 00:16:43,950 --> 00:16:45,880 And as for kid gloves, you keep your hands in your pockets 277 00:16:45,880 --> 00:16:47,040 and your nose clean. 278 00:16:47,040 --> 00:16:49,040 Lady's still my wife, no matter what you read in the papers. 279 00:16:49,040 --> 00:16:52,820 [CHEERING] 280 00:16:52,820 --> 00:16:53,760 Settle it down. 281 00:16:53,760 --> 00:16:54,700 Take 15 minutes. 282 00:16:54,700 --> 00:16:56,300 I want you back on the button. 283 00:16:56,300 --> 00:16:57,770 Oh, the master speaks. 284 00:16:57,770 --> 00:17:00,020 - You got a problem, Lingo? - Me? 285 00:17:00,020 --> 00:17:01,110 Oh, no way, Jose. 286 00:17:01,110 --> 00:17:02,870 But your wife, now she's got the problem. 287 00:17:02,870 --> 00:17:04,720 Right, Bobby Lee? - Back off, man. 288 00:17:04,720 --> 00:17:05,420 Ruth's OK. 289 00:17:05,420 --> 00:17:07,200 She's just a little beat. 290 00:17:07,200 --> 00:17:07,970 All right. 291 00:17:07,970 --> 00:17:09,619 Slap hands with John Moore. 292 00:17:09,619 --> 00:17:10,460 He's our new paperhanger. 293 00:17:10,460 --> 00:17:12,790 [INTERPOSING VOICES] - Nice to meet you. 294 00:17:12,790 --> 00:17:14,300 - Good to meet you. - Oh, oh, hey. 295 00:17:14,300 --> 00:17:15,170 Catch you later, John-boy. 296 00:17:15,170 --> 00:17:16,670 Them 15 is down to 12. 297 00:17:16,670 --> 00:17:19,010 [INTERPOSING VOICES] 298 00:17:20,550 --> 00:17:22,470 If you need anything, give a holler. 299 00:17:22,470 --> 00:17:23,400 Thank you, pal. 300 00:17:28,930 --> 00:17:30,330 Howdy. My name's Moore. 301 00:17:30,330 --> 00:17:31,860 I-- - I heard. 302 00:17:31,860 --> 00:17:33,910 The new PR. I'm Ryder. 303 00:17:36,430 --> 00:17:37,930 You sound jockey here? 304 00:17:37,930 --> 00:17:41,660 Yeah, me and Mace there and the people movers. 305 00:17:41,660 --> 00:17:42,620 You name it, we go for it. 306 00:17:59,240 --> 00:18:01,440 It's more effective behind the ears, 307 00:18:01,440 --> 00:18:03,500 especially at $50 an ounce. 308 00:18:03,500 --> 00:18:06,320 Especially since it is my $50. 309 00:18:06,320 --> 00:18:07,560 Come on in. 310 00:18:07,560 --> 00:18:10,390 Why now that's something I'll never understand, 311 00:18:10,390 --> 00:18:13,870 how a beautiful lady like you has to buy her own perfume. 312 00:18:13,870 --> 00:18:15,770 Oh, you'd understand if you had 313 00:18:15,770 --> 00:18:18,470 a husband whose only concern was you being on stage 314 00:18:18,470 --> 00:18:19,660 and being in tune. 315 00:18:19,660 --> 00:18:23,600 I guess that's why our friendship means so much to me. 316 00:18:23,600 --> 00:18:24,300 Terrific. 317 00:18:27,270 --> 00:18:29,940 RUTH AVERY: Power. 318 00:18:29,940 --> 00:18:32,830 Story of my life, always being hung for a sheep. 319 00:18:37,800 --> 00:18:40,780 [MUSIC PLAYING] 320 00:19:04,140 --> 00:19:07,120 [CRASH] 321 00:19:13,580 --> 00:19:15,600 RYDER: Mace! 322 00:19:15,600 --> 00:19:17,850 What are you trying to do, kill somebody? 323 00:19:17,850 --> 00:19:19,620 Well, if he wasn't, he could've fooled me. 324 00:19:19,620 --> 00:19:20,580 I found him in the truck. 325 00:19:20,580 --> 00:19:22,080 He was snooping around like he was going to-- 326 00:19:22,080 --> 00:19:22,870 His name's Moore. 327 00:19:22,870 --> 00:19:25,690 He's the new PR. 328 00:19:25,690 --> 00:19:28,230 How was I supposed to know? 329 00:19:28,230 --> 00:19:30,540 The last gig we played, some joker made off with 10 330 00:19:30,540 --> 00:19:32,070 grand worth of equipment. 331 00:19:32,070 --> 00:19:35,310 Mace nearly got fired. 332 00:19:35,310 --> 00:19:39,390 Hey, Moore, no hard feelings. 333 00:19:39,390 --> 00:19:41,940 I mean, you're not going to tell Power about this. 334 00:19:41,940 --> 00:19:44,380 I was only trying to do my job. 335 00:19:44,380 --> 00:19:45,390 No, it's all right. 336 00:19:45,390 --> 00:19:47,370 Just forget it. 337 00:19:47,370 --> 00:19:48,870 I won't tell anybody. 338 00:19:54,570 --> 00:19:56,090 Anything on the radio scan? 339 00:19:56,090 --> 00:19:58,440 We picked up this transmission about two hours ago. 340 00:19:58,440 --> 00:20:00,650 MAN (ON TAPE): [INAUDIBLE] 341 00:20:00,650 --> 00:20:02,820 You know, I don't speak gibberish, 342 00:20:02,820 --> 00:20:03,870 at least not that dialect. 343 00:20:03,870 --> 00:20:05,900 Can you fill me in on what it's supposed to mean? 344 00:20:05,900 --> 00:20:08,220 We weren't able to break the scramble code, 345 00:20:08,220 --> 00:20:10,380 but Oppenheimer did a visual on the tracings. 346 00:20:10,380 --> 00:20:11,940 And one of them matched up with Quaid. 347 00:20:11,940 --> 00:20:13,690 How about the other one? 348 00:20:13,690 --> 00:20:15,720 Nothing in the file we could match up with, 349 00:20:15,720 --> 00:20:19,020 but it must be Quaid's robot. 350 00:20:19,020 --> 00:20:20,370 Triangulation give us anything? 351 00:20:20,370 --> 00:20:23,320 Point of origin is somewhere off the coast of North Africa. 352 00:20:23,320 --> 00:20:28,900 So Quaid's on his way to meet with Fader. 353 00:20:28,900 --> 00:20:31,730 [MUSIC PLAYING] 354 00:20:33,620 --> 00:20:37,390 RUTH AVERY: (SINGING) Momma said I'd get everything I wanted. 355 00:20:37,390 --> 00:20:40,480 Momma said I could get it if I tried. 356 00:20:40,480 --> 00:20:43,970 Momma said the world would be my oyster. 357 00:20:43,970 --> 00:20:48,620 But-- but I can't have you. 358 00:20:48,620 --> 00:20:50,060 My momma lied. 359 00:20:50,060 --> 00:20:51,990 No, I can't have you. 360 00:20:51,990 --> 00:20:53,430 Momma lied. Momma lied. 361 00:20:53,430 --> 00:20:54,870 I can't have you. 362 00:20:54,870 --> 00:20:56,800 My momma lied. 363 00:20:56,800 --> 00:20:58,290 I can't have you. 364 00:20:58,290 --> 00:21:00,190 No, I've tried and tried. 365 00:21:00,190 --> 00:21:01,590 I can't have you. 366 00:21:01,590 --> 00:21:02,970 My momma lied. 367 00:21:02,970 --> 00:21:04,450 I can't have you. 368 00:21:04,450 --> 00:21:06,380 My momma lied. 369 00:21:06,380 --> 00:21:07,860 I can't have you. 370 00:21:07,860 --> 00:21:09,340 My momma lied. 371 00:21:09,340 --> 00:21:10,830 I can't have you. 372 00:21:10,830 --> 00:21:13,790 My momma lied. 373 00:21:13,790 --> 00:21:16,260 [APPLAUSE] 374 00:21:16,260 --> 00:21:19,050 Thank you. Candy! 375 00:21:24,520 --> 00:21:25,800 NUN: I'm sorry, children. 376 00:21:25,800 --> 00:21:27,550 We have to leave now. [GROANING] 377 00:21:27,550 --> 00:21:29,830 Oh, now Ms. Avery will be back again. 378 00:21:29,830 --> 00:21:32,870 Form a double line and walk back to the bus. 379 00:21:32,870 --> 00:21:33,850 Bye! 380 00:21:33,850 --> 00:21:35,800 Bye, hon. 381 00:21:35,800 --> 00:21:37,270 Oh, bye. 382 00:21:37,270 --> 00:21:40,690 [INAUDIBLE] How's school been going? 383 00:21:40,690 --> 00:21:41,670 Good. 384 00:21:41,670 --> 00:21:44,120 How about with you? [CAR HORN] 385 00:21:44,120 --> 00:21:46,520 Sixth grade OK? 386 00:21:46,520 --> 00:21:48,400 Good. 387 00:21:48,400 --> 00:21:49,950 The children, all of us-- 388 00:21:49,950 --> 00:21:50,720 [CAR HORN] 389 00:21:50,720 --> 00:21:53,350 --enjoy your visits very much. - Thank you, Sister. 390 00:21:53,350 --> 00:21:55,490 Please come back again soon. 391 00:21:55,490 --> 00:21:57,720 You know I will the next time I'm in town. 392 00:21:57,720 --> 00:21:58,420 Goodbye. 393 00:21:58,420 --> 00:21:59,120 Bye-bye. 394 00:22:01,400 --> 00:22:03,230 Well, that was mighty pretty, Miss Avery. 395 00:22:03,230 --> 00:22:05,510 What are you doing here? 396 00:22:05,510 --> 00:22:07,240 Well, I saw you leave the hotel. 397 00:22:07,240 --> 00:22:09,760 I figured I'd tag along, make a good story. 398 00:22:09,760 --> 00:22:11,330 You breathe one word of this and you're going 399 00:22:11,330 --> 00:22:14,070 to be looking for another job. 400 00:22:14,070 --> 00:22:15,830 The band doesn't have anything to do with this. 401 00:22:15,830 --> 00:22:16,710 I'm on my own gig. 402 00:22:16,710 --> 00:22:19,030 Hey, that's nothing to be ashamed of. 403 00:22:19,030 --> 00:22:22,140 It's not something I want to take any vows for either. 404 00:22:22,140 --> 00:22:26,940 I learned a long time ago, never say no to a lady. 405 00:22:26,940 --> 00:22:28,080 What's the catch? 406 00:22:28,080 --> 00:22:28,990 Just one. 407 00:22:28,990 --> 00:22:29,840 One? 408 00:22:29,840 --> 00:22:31,230 No story. 409 00:22:31,230 --> 00:22:33,070 One condition. 410 00:22:33,070 --> 00:22:35,120 You let me take you to lunch. Deal? 411 00:22:38,340 --> 00:22:39,040 Deal. 412 00:22:45,870 --> 00:22:47,300 So how much is that? 413 00:22:47,300 --> 00:22:48,700 $2 even. 414 00:22:48,700 --> 00:22:49,510 OK. 415 00:22:49,510 --> 00:22:51,830 Here you go. Thank you. 416 00:22:56,270 --> 00:22:57,250 Come on! 417 00:22:57,250 --> 00:23:00,210 Come on around here. 418 00:23:00,210 --> 00:23:03,660 Right there [INAUDIBLE] 419 00:23:05,140 --> 00:23:11,100 Sure, [INAUDIBLE] (LAUGHING) Yeah, that's a good one. 420 00:23:11,100 --> 00:23:12,590 What's your name? 421 00:23:12,590 --> 00:23:13,580 Beautiful name. 422 00:23:13,580 --> 00:23:16,070 Yeah. 423 00:23:16,070 --> 00:23:18,060 Desiree? 424 00:23:18,060 --> 00:23:20,040 OK. 425 00:23:20,040 --> 00:23:22,030 Got a pen? 426 00:23:22,030 --> 00:23:22,760 JOHN MOORE: Excuse me. 427 00:23:22,760 --> 00:23:24,140 [INAUDIBLE] 428 00:23:24,140 --> 00:23:26,530 Special delivery for Ms. Avery. 429 00:23:26,530 --> 00:23:28,270 Two cold dogs. 430 00:23:28,270 --> 00:23:31,420 Got some food for a hungry lady. Come on. 431 00:23:31,420 --> 00:23:33,300 Let me get through here. 432 00:23:33,300 --> 00:23:34,530 MAN (ON SPEAKER): All right, Roberta. 433 00:23:34,530 --> 00:23:36,880 Make your move on Moore now. 434 00:23:36,880 --> 00:23:37,780 Excuse me-- 435 00:23:37,780 --> 00:23:39,190 [INTERPOSING VOICES] 436 00:23:39,190 --> 00:23:40,430 Oh. 437 00:23:40,430 --> 00:23:42,310 Excuse me, ma'am. 438 00:23:42,310 --> 00:23:43,440 Personally, I would have thought 439 00:23:43,440 --> 00:23:46,260 that a knife rather than a bug would have been 440 00:23:46,260 --> 00:23:47,970 more effective planted there. 441 00:23:47,970 --> 00:23:50,490 Foley, for a man with your background, 442 00:23:50,490 --> 00:23:53,550 you have all the sensitivity of Attila the Hun. 443 00:23:53,550 --> 00:23:56,190 A murder involving Ruth will bring the police swarming 444 00:23:56,190 --> 00:23:57,870 in and around the group. 445 00:23:57,870 --> 00:24:01,980 My first priority is the bomb, a safe country. 446 00:24:01,980 --> 00:24:04,250 Things must progress in their natural order. 447 00:24:04,250 --> 00:24:05,670 You're not Power. 448 00:24:05,670 --> 00:24:06,610 [INTERPOSING VOICES] 449 00:24:06,610 --> 00:24:08,030 All right. 450 00:24:08,030 --> 00:24:10,740 Boy, I sure see the advantage of being a rock star. 451 00:24:10,740 --> 00:24:11,830 Oh, tell me about it. 452 00:24:18,950 --> 00:24:19,820 Where was I? 453 00:24:19,820 --> 00:24:23,400 Why, you were telling me about how you and Power got together. 454 00:24:23,400 --> 00:24:24,730 Oh, yeah. 455 00:24:24,730 --> 00:24:28,200 Well, Power already had the band when I got to know him. 456 00:24:28,200 --> 00:24:30,760 They were making noise around town. 457 00:24:30,760 --> 00:24:33,640 I started hanging out, finally gave me an audition. 458 00:24:33,640 --> 00:24:35,440 JOHN MOORE: So you two have been living high in cotton 459 00:24:35,440 --> 00:24:37,240 ever since, huh? Sounds good. 460 00:24:37,240 --> 00:24:38,560 What's the problem? 461 00:24:38,560 --> 00:24:39,970 Seems like when you can finally 462 00:24:39,970 --> 00:24:41,360 afford to have anything you want, 463 00:24:41,360 --> 00:24:44,200 you just don't have the time to afford it. 464 00:24:44,200 --> 00:24:45,840 Plus Power's changed. 465 00:24:45,840 --> 00:24:47,480 How do you figure he's changed? 466 00:24:47,480 --> 00:24:49,290 He's like a machine. 467 00:24:49,290 --> 00:24:51,440 I can't get through to him. 468 00:24:51,440 --> 00:24:52,570 JOHN MOORE: What about the others? 469 00:24:52,570 --> 00:24:54,240 RUTH AVERY: They've all been together as long as I 470 00:24:54,240 --> 00:24:55,870 can remember, except for Ryder. 471 00:24:55,870 --> 00:24:57,190 He's new. 472 00:24:57,190 --> 00:25:00,980 And Mace-- he's just muscle all the way up to his hair. 473 00:25:00,980 --> 00:25:05,090 Moore is checking out each of the group's backgrounds. 474 00:25:05,090 --> 00:25:07,210 All fine musicians. 475 00:25:07,210 --> 00:25:09,330 Not if he digs too deep. 476 00:25:09,330 --> 00:25:10,700 True. 477 00:25:10,700 --> 00:25:14,070 Well, when he gets to six feet, we'll stop him. 478 00:25:14,070 --> 00:25:17,080 Bobby Joel-- he's a real loner type. 479 00:25:17,080 --> 00:25:18,460 Mm-hmm. 480 00:25:18,460 --> 00:25:19,430 But what about you? 481 00:25:19,430 --> 00:25:21,860 Oh, nothing much to tell. 482 00:25:21,860 --> 00:25:23,930 I don't buy that for a second. 483 00:25:23,930 --> 00:25:26,140 You don't seem like the typical PR guy. 484 00:25:26,140 --> 00:25:27,850 Yeah, and that's what the rest of my clients 485 00:25:27,850 --> 00:25:30,560 are going to say if I don't get the cows in before sundown. 486 00:25:30,560 --> 00:25:32,310 Cows? Sundown? 487 00:25:32,310 --> 00:25:33,700 Mm-hmm. Back to work. 488 00:25:33,700 --> 00:25:34,660 - Work-- - Yeah. 489 00:25:34,660 --> 00:25:37,640 --work, work. [LAUGHTER] 490 00:25:54,350 --> 00:25:57,670 Thanks. - Right. 491 00:25:57,670 --> 00:25:59,070 [DOOR SHUTS] - Bye. 492 00:26:01,880 --> 00:26:04,650 Real friendly fella. 493 00:26:04,650 --> 00:26:05,450 Hi. 494 00:26:05,450 --> 00:26:06,730 For a while, it was Ryder. 495 00:26:06,730 --> 00:26:09,110 Now it's Moore. 496 00:26:09,110 --> 00:26:11,220 They're just friends, people I can talk to. 497 00:26:11,220 --> 00:26:12,200 Oh really? 498 00:26:12,200 --> 00:26:13,610 I don't believe it. 499 00:26:13,610 --> 00:26:15,940 You're jealous. 500 00:26:15,940 --> 00:26:17,990 Look, Ruth. 501 00:26:17,990 --> 00:26:19,970 This is crazy. 502 00:26:19,970 --> 00:26:21,620 I mean, we had such a great thing going. 503 00:26:21,620 --> 00:26:25,520 Going, going, gone. 504 00:26:25,520 --> 00:26:26,450 Is that how you want it? 505 00:26:26,450 --> 00:26:29,270 We don't want the same things anymore. 506 00:26:29,270 --> 00:26:31,790 I want a husband, and you want a playmate. 507 00:26:31,790 --> 00:26:33,140 I want a partner. 508 00:26:33,140 --> 00:26:34,640 You want a costar. 509 00:26:34,640 --> 00:26:35,980 I want a family. 510 00:26:35,980 --> 00:26:37,060 And you want fans. 511 00:26:39,670 --> 00:26:43,030 So where do we go from here? 512 00:26:43,030 --> 00:26:44,580 We've got a tour to finish, remember? 513 00:26:59,230 --> 00:26:59,930 Pam. 514 00:26:59,930 --> 00:27:01,950 How are you doing with that [INAUDIBLE]?? 515 00:27:01,950 --> 00:27:03,420 I've been through almost every guy's room. 516 00:27:03,420 --> 00:27:06,190 And you still look as fresh as a daisy. 517 00:27:06,190 --> 00:27:08,730 You have a one-track mind. 518 00:27:08,730 --> 00:27:10,740 You never complained before. 519 00:27:10,740 --> 00:27:11,720 Anything exciting? 520 00:27:11,720 --> 00:27:14,400 Nothing, including one of them dressed in a towel 521 00:27:14,400 --> 00:27:15,440 acting like I was some groupie. 522 00:27:18,640 --> 00:27:20,620 Don't worry, I handled it. 523 00:27:20,620 --> 00:27:21,730 I'm sure you did. 524 00:27:21,730 --> 00:27:24,370 But one of them has got to be the robot. 525 00:27:24,370 --> 00:27:26,320 Well if it's Spooner or Lingo, Quaid's 526 00:27:26,320 --> 00:27:29,050 come up with some very unusual programming. 527 00:27:29,050 --> 00:27:31,860 So you don't think it's either one of them? 528 00:27:31,860 --> 00:27:32,850 Trust me. 529 00:27:39,270 --> 00:27:42,240 [INAUDIBLE RECORDING] 530 00:28:03,500 --> 00:28:06,100 SIMON QUAID: Quite an impressive array of force, General Fader. 531 00:28:06,100 --> 00:28:10,410 For the ordinary type of equipment, yes. 532 00:28:10,410 --> 00:28:12,470 Probably the best in all of North Africa. 533 00:28:12,470 --> 00:28:15,160 Mr. Quaid, we've been alerted to stand 534 00:28:15,160 --> 00:28:17,110 by to receive a transmission. - Oh, fine. 535 00:28:17,110 --> 00:28:19,040 Thank you, Foley. 536 00:28:19,040 --> 00:28:20,150 Yes, Ryder. 537 00:28:20,150 --> 00:28:22,240 The triggering device is completed. 538 00:28:22,240 --> 00:28:24,680 All I have to do now is insert it into the bomb. 539 00:28:24,680 --> 00:28:26,000 Then you're right on schedule. 540 00:28:26,000 --> 00:28:26,890 Good. 541 00:28:26,890 --> 00:28:29,170 The ETA will be 12:00 noon tomorrow. 542 00:28:29,170 --> 00:28:31,060 If he's ready, why do you wait? 543 00:28:31,060 --> 00:28:32,450 Well, because of the cover I've 544 00:28:32,450 --> 00:28:33,940 arranged to get the bomb out. 545 00:28:33,940 --> 00:28:35,140 How else do you think we could carry 546 00:28:35,140 --> 00:28:39,200 out this plan with every airport in the country alerted? 547 00:28:39,200 --> 00:28:41,890 Now Ryder, about Mr. Moore. 548 00:28:41,890 --> 00:28:44,350 The bomb is of the utmost importance. 549 00:28:44,350 --> 00:28:46,780 Nothing must stop its delivery. 550 00:28:46,780 --> 00:28:48,640 I'm sure I make myself clear. 551 00:28:48,640 --> 00:28:49,670 Perfectly. 552 00:28:49,670 --> 00:28:51,820 Thank you, Ryder. 553 00:28:51,820 --> 00:28:54,250 Within 24 hours, you will have your bomb. 554 00:28:54,250 --> 00:28:56,920 And you will be appointing ambassadors. 555 00:28:56,920 --> 00:28:59,380 I'll look forward to that. 556 00:28:59,380 --> 00:29:02,530 But you have certain reservations. 557 00:29:02,530 --> 00:29:04,460 Being the intelligent man you are, 558 00:29:04,460 --> 00:29:07,450 you can't help but wondering, why is Quaid 559 00:29:07,450 --> 00:29:11,200 willing to turn over such an awesome weapon as this to me 560 00:29:11,200 --> 00:29:14,310 and not retain control of it himself? 561 00:29:14,310 --> 00:29:16,340 And rightly so. 562 00:29:16,340 --> 00:29:19,460 A man could not have made such a spectacular rise to power 563 00:29:19,460 --> 00:29:22,920 as you have, General, without possessing a logical mind, 564 00:29:22,920 --> 00:29:25,370 a mind that quickly grasps the ramifications 565 00:29:25,370 --> 00:29:29,870 of having such an awesome weapon at his disposal. 566 00:29:29,870 --> 00:29:31,910 Well, the takeover of your present government 567 00:29:31,910 --> 00:29:34,250 would be instantaneous. 568 00:29:34,250 --> 00:29:37,960 Overnight your nation would be propelled into the brotherhood 569 00:29:37,960 --> 00:29:40,050 of nuclear powers. 570 00:29:40,050 --> 00:29:43,190 And you, General, an international figure 571 00:29:43,190 --> 00:29:48,480 to be reckoned with, respected, feared. 572 00:29:48,480 --> 00:29:50,210 And you, Mr. Quaid-- 573 00:29:50,210 --> 00:29:52,390 It always gets down to it, doesn't it? 574 00:29:52,390 --> 00:29:53,800 What's in it for me? 575 00:29:56,350 --> 00:29:57,970 A home, General. 576 00:29:57,970 --> 00:29:59,950 A place where I can continue my work 577 00:29:59,950 --> 00:30:03,790 unmolested and at the same time, the opportunity of serving 578 00:30:03,790 --> 00:30:06,910 a man of your caliber as advisor, providing 579 00:30:06,910 --> 00:30:10,570 you with counsel, scientific knowledge, 580 00:30:10,570 --> 00:30:14,970 and of course the total and loyal support of my robots. 581 00:30:14,970 --> 00:30:21,050 I am speaking of absolute power. 582 00:30:21,050 --> 00:30:23,290 But what happens if-- 583 00:30:23,290 --> 00:30:26,210 General, you surprise me. 584 00:30:26,210 --> 00:30:29,070 You're too perfect to be replaced. 585 00:30:29,070 --> 00:30:32,200 As flawless as my robots might be, 586 00:30:32,200 --> 00:30:35,130 none could serve as such a-- 587 00:30:35,130 --> 00:30:38,130 such a fiery leader as yourself. 588 00:30:38,130 --> 00:30:40,880 - Perhaps you yourself-- - No. 589 00:30:40,880 --> 00:30:41,820 --might-- 590 00:30:41,820 --> 00:30:42,930 I'm a man of science. 591 00:30:42,930 --> 00:30:45,840 I-- I will remain in the shadows. 592 00:30:45,840 --> 00:30:49,570 And you-- you will have the spotlight. 593 00:30:49,570 --> 00:30:51,520 You will have the power, General. 594 00:30:51,520 --> 00:30:55,580 And together we will serve each other's needs. 595 00:30:55,580 --> 00:30:58,220 I am a man who believes in living in the present. 596 00:30:58,220 --> 00:31:02,480 But in this case, I can't wait for our future. 597 00:31:02,480 --> 00:31:04,530 I'll wait for that moment with pleasure. 598 00:31:04,530 --> 00:31:05,770 Thank you, sir. 599 00:31:12,240 --> 00:31:15,230 [MUSIC PLAYING] 600 00:31:49,590 --> 00:31:50,590 [WHISTLES] 601 00:31:50,590 --> 00:31:53,000 JOHN MOORE (ON SPEAKER): You listening, Quaid? 602 00:31:53,000 --> 00:31:55,460 I assume you want to know what I'm up to. 603 00:31:55,460 --> 00:31:57,800 I'll tell you. 604 00:31:57,800 --> 00:31:59,430 And I don't want you to be disappointed after all 605 00:31:59,430 --> 00:32:00,360 the trouble you went to. 606 00:32:00,360 --> 00:32:01,830 I'm going to find your robot. 607 00:32:01,830 --> 00:32:04,230 And then I'm going to find your bomb. 608 00:32:04,230 --> 00:32:05,370 And then I'm going to find you. 609 00:32:11,830 --> 00:32:14,810 [CRACKLING] 610 00:32:17,800 --> 00:32:20,780 [MUSIC PLAYING] 611 00:32:57,560 --> 00:33:00,540 [TICKING] 612 00:33:24,390 --> 00:33:27,380 [MUSIC PLAYING] 613 00:33:32,780 --> 00:33:35,770 Stop! 614 00:33:35,770 --> 00:33:38,760 [CRASHING] 615 00:33:48,220 --> 00:33:51,210 [CLANGING] 616 00:33:51,210 --> 00:33:54,190 [EXPLOSION] 617 00:34:05,150 --> 00:34:06,640 You all right? 618 00:34:09,630 --> 00:34:12,620 [SIREN] 619 00:34:20,590 --> 00:34:21,389 How is she? 620 00:34:21,389 --> 00:34:22,900 Broken arm. 621 00:34:22,900 --> 00:34:24,800 The young man was dead before he hit the ground. 622 00:34:24,800 --> 00:34:27,440 That must have come as quite a surprise. 623 00:34:27,440 --> 00:34:28,429 Are you the father? 624 00:34:28,429 --> 00:34:30,690 She's having a baby? 625 00:34:30,690 --> 00:34:32,360 Well, you did know she was pregnant, didn't you? 626 00:34:32,360 --> 00:34:33,889 What about Ryder? 627 00:34:33,889 --> 00:34:35,719 I've seen people electrocuted before. 628 00:34:35,719 --> 00:34:36,980 He didn't strike me as any different 629 00:34:36,980 --> 00:34:38,239 than any other human being. 630 00:34:38,239 --> 00:34:40,409 [INAUDIBLE] human? 631 00:34:40,409 --> 00:34:41,520 Of course he was human. 632 00:34:41,520 --> 00:34:43,570 What was he supposed to be? 633 00:34:43,570 --> 00:34:45,710 Uh, Doctor, I'd like to take a look at the body. 634 00:34:48,460 --> 00:34:50,580 You're right. 635 00:34:50,580 --> 00:34:52,750 I didn't want to see that. 636 00:34:52,750 --> 00:34:55,960 Well, I'm glad we share the same physiological diagnosis. 637 00:34:55,960 --> 00:34:57,870 You had me worried there for a minute. 638 00:34:57,870 --> 00:35:00,760 [MUSIC PLAYING] 639 00:35:07,990 --> 00:35:11,560 WOMAN (ON PHONE): Professor, red line, John Moore. 640 00:35:11,560 --> 00:35:12,760 JOSEPH OPPENHEIMER (ON PHONE): John? 641 00:35:12,760 --> 00:35:14,530 What did the computer check turn up on the group? 642 00:35:14,530 --> 00:35:16,330 JOSEPH OPPENHEIMER (ON PHONE): Only one name surfaced. 643 00:35:16,330 --> 00:35:17,320 Ryder. 644 00:35:17,320 --> 00:35:19,740 - How did you find out? - The hard way. 645 00:35:19,740 --> 00:35:21,810 He tried to kill me a little while ago. 646 00:35:21,810 --> 00:35:23,890 What I don't understand is why. 647 00:35:23,890 --> 00:35:27,370 But I know for certain Ryder is not one of the robots, 648 00:35:27,370 --> 00:35:29,080 so he didn't steal the uranium. 649 00:35:29,080 --> 00:35:30,530 But he is on Quaid's payroll. 650 00:35:30,530 --> 00:35:33,040 Look, Ryder is a brilliant nuclear scientist 651 00:35:33,040 --> 00:35:34,930 with an insatiable taste for the good life. 652 00:35:34,930 --> 00:35:37,220 But universities don't pay as well as Quaid. 653 00:35:37,220 --> 00:35:40,330 Yeah, but Ryder paid more. 654 00:35:40,330 --> 00:35:42,000 He's dead. - That's too bad. 655 00:35:42,000 --> 00:35:43,630 He could have led us to the bomb. 656 00:35:43,630 --> 00:35:45,120 He obviously built it. 657 00:35:45,120 --> 00:35:48,010 And he's probably handed it over to a robot for delivery 658 00:35:48,010 --> 00:35:48,720 to Fader. 659 00:35:48,720 --> 00:35:50,320 JOSEPH OPPENHEIMER (ON PHONE): Well, the question is, why is 660 00:35:50,320 --> 00:35:51,670 the robot in a holding pattern? 661 00:35:51,670 --> 00:35:53,460 Why hasn't he moved with it by now? 662 00:35:53,460 --> 00:35:55,780 Well, he's probably on a schedule. 663 00:35:55,780 --> 00:35:58,600 And he has to wait for a prearranged time for delivery. 664 00:35:58,600 --> 00:36:00,130 Well, we can't let that delivery take place. 665 00:36:06,580 --> 00:36:07,710 Ryder is dead. 666 00:36:11,670 --> 00:36:14,040 - How? - Moore. 667 00:36:18,750 --> 00:36:20,510 Humans. 668 00:36:20,510 --> 00:36:24,040 They always create such problems. 669 00:36:24,040 --> 00:36:25,840 Patch me in to Roberta at Operations, please. 670 00:36:35,760 --> 00:36:39,950 Ryder was a gentle person, sweet, kind. 671 00:36:39,950 --> 00:36:41,660 I'm sure when John gets back, he'll explain. 672 00:36:41,660 --> 00:36:43,860 [PHONE RINGING] 673 00:36:43,860 --> 00:36:44,560 Hello? 674 00:36:47,090 --> 00:36:48,520 Yes, Power. I'll see. 675 00:36:51,320 --> 00:36:52,680 RUTH AVERY (ON PHONE): Hello? 676 00:36:52,680 --> 00:36:53,610 Ruth? 677 00:36:53,610 --> 00:36:54,890 Baby, you OK? 678 00:36:54,890 --> 00:36:58,120 I've got my arm in a cast, but it's a clean break. 679 00:36:58,120 --> 00:37:00,160 Listen, I'm on my way down there right away, OK? 680 00:37:00,160 --> 00:37:01,030 RUTH AVERY (ON PHONE): No. 681 00:37:01,030 --> 00:37:03,890 We have to make that gig in Jamaica. 682 00:37:03,890 --> 00:37:06,610 I'll see you at the plane, OK? 683 00:37:06,610 --> 00:37:09,470 [PHONE CLICKS] 684 00:37:12,320 --> 00:37:14,240 That's that. 685 00:37:14,240 --> 00:37:15,800 So how you feeling? 686 00:37:15,800 --> 00:37:17,550 OK. 687 00:37:17,550 --> 00:37:19,440 I think one of you owes me an explanation 688 00:37:19,440 --> 00:37:20,700 about what's been going down. 689 00:37:24,640 --> 00:37:27,900 Well, it's a little complicated. 690 00:37:27,900 --> 00:37:30,600 Give me the punchline, and I'll figure out the rest. 691 00:37:30,600 --> 00:37:32,640 All right. 692 00:37:32,640 --> 00:37:35,460 We have to find out which member of your group is a robot 693 00:37:35,460 --> 00:37:38,490 and where he's hiding a nuclear bomb. 694 00:37:38,490 --> 00:37:39,190 What? 695 00:37:41,910 --> 00:37:43,650 - Ready. - Oh, good. 696 00:37:47,790 --> 00:37:51,330 Please advance 514 stage 7 and alter 697 00:37:51,330 --> 00:37:52,920 second stripe to minus 30. 698 00:37:52,920 --> 00:37:54,390 You're moving up the schedule? 699 00:37:54,390 --> 00:37:56,250 I can't chance any further interference. 700 00:37:56,250 --> 00:37:58,530 I want that bomb on the group's plane now. 701 00:37:58,530 --> 00:37:59,520 And I want it armed. 702 00:37:59,520 --> 00:38:01,940 Once it's in place, no one would dare get in the way. 703 00:38:01,940 --> 00:38:04,900 [MUSIC PLAYING] 704 00:38:16,250 --> 00:38:18,350 Where would the bus and the equipment truck be? 705 00:38:18,350 --> 00:38:20,150 Probably still at the hall. 706 00:38:20,150 --> 00:38:22,660 Mace needs a replacement for Ryder. 707 00:38:22,660 --> 00:38:24,700 Pam, help her pack and get to the airport. 708 00:38:24,700 --> 00:38:25,930 Where are you going? 709 00:38:25,930 --> 00:38:27,610 I'm going to have a little chat with Mace. 710 00:38:38,520 --> 00:38:40,010 Hey, what you doing? 711 00:38:43,480 --> 00:38:46,460 [CLICKING] 712 00:39:01,830 --> 00:39:04,810 [MUSIC PLAYING] 713 00:39:21,700 --> 00:39:23,190 Mace? 714 00:39:23,190 --> 00:39:24,170 Mace, you here? 715 00:39:34,540 --> 00:39:37,510 [WHIRRING] 716 00:40:02,750 --> 00:40:03,920 How do you feel? 717 00:40:03,920 --> 00:40:08,510 Just like on opening night, scared to death. 718 00:40:08,510 --> 00:40:10,920 Spooner? 719 00:40:10,920 --> 00:40:11,910 One hour. 720 00:40:11,910 --> 00:40:15,040 SPOONER: I hear you. 721 00:40:15,040 --> 00:40:16,950 Just don't let on that you suspect anything. 722 00:40:16,950 --> 00:40:18,270 Try to act normally. 723 00:40:18,270 --> 00:40:20,550 I'll try, but my heart's not in it. 724 00:40:20,550 --> 00:40:23,550 It's in my throat, choking me. 725 00:40:23,550 --> 00:40:26,690 Lingo, it's Ruth. 726 00:40:26,690 --> 00:40:28,540 Plane leaves in an hour. LINGO: No sweat. 727 00:40:28,540 --> 00:40:29,240 I'll be there. 728 00:40:39,070 --> 00:40:41,900 Bobby Lee, plane leaves in an hour. 729 00:40:45,160 --> 00:40:47,810 Bobby Lee, it's Ruth. 730 00:40:47,810 --> 00:40:50,780 [MUSIC PLAYING] 731 00:40:56,240 --> 00:40:57,050 What are you doing here? 732 00:41:00,710 --> 00:41:01,410 Waiting for you. 733 00:41:05,420 --> 00:41:06,940 We're leaving a little ahead of schedule. 734 00:41:09,870 --> 00:41:12,800 [WHIRRING] 735 00:41:12,800 --> 00:41:15,340 Hey, what do you think you're doing? 736 00:41:15,340 --> 00:41:18,190 He knows exactly what he's doing. 737 00:41:18,190 --> 00:41:18,890 He's the bomb. 738 00:41:25,860 --> 00:41:28,850 [MUSIC PLAYING] 739 00:41:29,850 --> 00:41:30,840 Oh! 740 00:41:30,840 --> 00:41:33,340 No! 741 00:41:33,340 --> 00:41:34,800 Shall we go? 742 00:41:34,800 --> 00:41:36,950 And quietly if you want to stay alive. 743 00:41:59,860 --> 00:42:01,350 Pam? 744 00:42:01,350 --> 00:42:02,350 Pam? 745 00:42:02,350 --> 00:42:03,840 What happened? - I'm OK. 746 00:42:07,330 --> 00:42:08,490 It's Bobby Lee. 747 00:42:08,490 --> 00:42:09,980 What? 748 00:42:09,980 --> 00:42:11,840 The bomb is built into him. 749 00:42:11,840 --> 00:42:13,460 What happened to Ruth? 750 00:42:13,460 --> 00:42:15,270 He knocked me out and grabbed her. 751 00:42:18,090 --> 00:42:19,950 I think they went to the plane. 752 00:42:19,950 --> 00:42:22,910 That's how they're getting out. 753 00:42:22,910 --> 00:42:25,700 Hey, what's going on? 754 00:42:25,700 --> 00:42:28,680 Take care of your pretty head. 755 00:42:28,680 --> 00:42:30,800 Get her to a doctor. 756 00:42:30,800 --> 00:42:34,310 From what you've describe, the robot is a model J147. 757 00:42:34,310 --> 00:42:36,650 - Yeah, I'm listening. - All right. 758 00:42:36,650 --> 00:42:38,810 The militarisation re-sectioning is directly 759 00:42:38,810 --> 00:42:41,060 behind the bi-visionary quad. 760 00:42:41,060 --> 00:42:42,800 So those shades Bobby Lee always wears 761 00:42:42,800 --> 00:42:44,120 aren't just gone Hollywood. 762 00:42:44,120 --> 00:42:44,990 It's a flaw, John. 763 00:42:44,990 --> 00:42:46,340 But I don't see how it's going to stop 764 00:42:46,340 --> 00:42:48,110 that bomb once it's been armed. 765 00:42:48,110 --> 00:42:49,490 Joe, I'll talk to you later. 766 00:42:49,490 --> 00:42:52,180 [PHONE BUZZING] 767 00:42:52,620 --> 00:42:56,300 - Yeah? - Power, this is Moore. 768 00:42:56,300 --> 00:42:57,850 Now just listen to me. 769 00:42:57,850 --> 00:42:58,770 POWER (ON PHONE): Moore? 770 00:42:58,770 --> 00:43:00,130 What the hell happened to your accent? 771 00:43:00,130 --> 00:43:01,230 JOHN MOORE (ON PHONE): All right, 772 00:43:01,230 --> 00:43:02,550 forget the questions or you and Ruth 773 00:43:02,550 --> 00:43:05,680 aren't going to be around to see that baby she's carrying. 774 00:43:05,680 --> 00:43:07,460 Baby? 775 00:43:07,460 --> 00:43:08,480 Bab-- Ruth's-- 776 00:43:08,480 --> 00:43:10,190 JOHN MOORE (ON PHONE): Yeah, congratulations. 777 00:43:13,140 --> 00:43:14,920 Power, this is crucial. 778 00:43:14,920 --> 00:43:17,840 Ruth and Bobby Lee are on their way right now. 779 00:43:17,840 --> 00:43:20,390 Just take off, stay in the air, and I'll fill you in later. 780 00:43:20,390 --> 00:43:21,450 Right. 781 00:43:21,450 --> 00:43:23,690 Do just as the man says. 782 00:43:23,690 --> 00:43:25,580 Take off now. 783 00:43:25,580 --> 00:43:27,510 Your lives depend on it. 784 00:43:27,510 --> 00:43:28,810 Would somebody mind telling me what-- 785 00:43:28,810 --> 00:43:30,700 Power, don't argue with him. 786 00:43:30,700 --> 00:43:32,390 Do just as he says. 787 00:43:32,390 --> 00:43:34,850 I'll need Ruth in the copilot seat. 788 00:43:34,850 --> 00:43:37,130 She stays inside with me. 789 00:43:37,130 --> 00:43:39,250 Now call the tower and get your clearance. 790 00:43:39,250 --> 00:43:41,730 [MUSIC PLAYING] 791 00:43:41,730 --> 00:43:44,030 [INAUDIBLE] 6-5 Charlie ready to taxi. 792 00:43:44,030 --> 00:43:46,000 MAN (ON SPEAKER): Roger, 6-5 Charlie. 793 00:43:46,000 --> 00:43:47,190 Clear to taxi. 794 00:43:47,190 --> 00:43:48,540 Runway 2-5. 795 00:43:48,540 --> 00:43:49,870 Roger, 6-5 Charlie. 796 00:43:49,870 --> 00:43:52,860 [MUSIC PLAYING] 797 00:44:25,520 --> 00:44:27,750 6-5 Charlie, ready to go on runway 205. 798 00:44:27,750 --> 00:44:29,900 MAN (ON SPEAKER): 6-5 Charlie, clear for takeoff. 799 00:44:37,540 --> 00:44:39,300 There's no place to go, Moore. 800 00:45:38,670 --> 00:45:40,440 SIMON QUAID: He's immobilized. 801 00:45:40,440 --> 00:45:42,360 Move the robot from visionary to sensory. 802 00:45:51,780 --> 00:45:54,760 [WIND BLOWING] 803 00:46:26,500 --> 00:46:29,480 [MUSIC PLAYING] 804 00:46:35,430 --> 00:46:36,420 Bomb's away! 805 00:46:43,370 --> 00:46:46,340 [EXPLOSION] 806 00:46:51,400 --> 00:46:52,750 It's too late, Mr. Quaid. 807 00:47:02,980 --> 00:47:05,230 POWER: You know, you always did have a great sense of timing. 808 00:47:05,230 --> 00:47:08,280 [MUSIC PLAYING]